This paper presents an innovative exploration into the integration of interactive robotic musicianship within a commercial retail environment, specifically through a three-week-long in-store installation featuring a UR3 robotic arm, custom-built frame drums, and an adaptive music generation system. Situated in a prominent storefront in one of the world's largest cities, this project aimed to enhance the shopping experience by creating dynamic, engaging musical interactions that respond to the store's ambient soundscape. Key contributions include the novel application of industrial robotics in artistic expression, the deployment of interactive music to enrich retail ambiance, and the demonstration of continuous robotic operation in a public setting over an extended period. Challenges such as system reliability, variation in musical output, safety in interactive contexts, and brand alignment were addressed to ensure the installation's success. The project not only showcased the technical feasibility and artistic potential of robotic musicianship in retail spaces but also offered insights into the practical implications of such integration, including system reliability, the dynamics of human-robot interaction, and the impact on store operations. This exploration opens new avenues for enhancing consumer retail experiences through the intersection of technology, music, and interactive art, suggesting a future where robotic musicianship contributes meaningfully to public and commercial spaces.

Embodied cognition is a theory stating that the processes and functions comprising the human mind are influenced by a person's physical body. Embodied musical cognition is a theory of the musical mind stating that the person's body largely influences his or her musical experiences and actions (such as performing, learning, or listening to music). In this work, a proof of concept demonstrating the utility of an embodied musical cognition for robotic musicianship is described. Though alternative theories attempting to explain human musical cognition exist (such as cognitivism and connectionism), this work contends that the integration of physical constraints and musical knowledge is vital for a robot in order to optimize note generating decisions based on limitations of sound generating motion and enable more engaging performance through increased coherence between the generated music and sound accompanying motion. Moreover, such a system allows for efficient and autonomous exploration of the relationship between music and physicality and the resulting music that is contingent on such a connection.

Using humanoid robots to study human behavior.

Using humanoid robots to study human behavior.